#writing notion

[just-a-local-dreamer]

Notion writing template!!

This bad boy got a serious update (aesthetic and functional)

The worldbuilding databases are now expanded to cover more ground, esp in developing countries, governments, and histories.

Character profiles are more intuitive and less of the checklist style

Added a tutorial for the plotting hub

Added some buttons for convenience

You can check it out here

[sugar-plum-senpai]

Fanfiction Writer Notion Template | Notion Template for Fanfic Writers | Writing Notion Template | Black and White Aesthetic Notion Template

♡ What You Get ♡ - Aesthetic Dashboard (Black and White Monochrome Theme) - Navigation - Digital Clock Widget - Links to AO3, Google Drive, and other fanfic websites - Spotify Playlist Widget - Quick Capture Buttons (add fanfics, brain dumps, and resources automatically) - Fanfiction Library (update your progress and sort fics by fandom, pairing, tags, etc) - Resources Page (I've added a few helpful links to resources already!) - Pomodoro Timer (for a focused, timed writing session) - Inspiration Page - Character Wiki - Calendar for Posting Schedule - To-Do List - Instructions for Use

Now available on my Ko-fi! :)

[lena-rambles]

finally got a good start on my notion page for llq! i've been slowly redoing,, my entire notion,, god help me why

but i like this format better than what i had before! and there's a lot i can copy and paste over so it's fine

anyway. i'm just,, happy that i got the framework and half the notes down for this. if anyone's interested in the template, i can share it :)

[peakpornography]

₊ ⊹ Things to think about when scripting your occupation.

Here's a list of things to keep in mind when writing about your occupation!

How far away is your job from where you live? Do you get there by car, bike, walking?

Who's someone from work you like to work with? Who's someone you'd rather not approach ever? Why?

What's a typical day at your work like? What do you do to get ready before work?

Do you have any nicknames or silly inside jokes with your coworkers?

What did you want to be as a kid? How different is it from what you're doing now?

What was your first day at work like? How is it now? Have you ever been promoted?

How would you describe your job to a small child? Would you exaggerate parts about your job?

Did you have any jobs before this one? How old were you when you got your first ever job? What job was it?

[stealingyourbones]

Never will I stop with the steadfast notion that folks in the DPXDC fandom should interact with at least some form of canon DC media.

There are comics, tv shows, radio dramas both old and new, podcasts, movies, magazines, so much shit that intentionally avoiding the media is simply preventing yourself from spawning new ideas and gaining a new appreciation for a fandom that you’re already in.

The Superman Radio Show has episodes 11 minutes long. A lot of the TV shows don’t have episodes that surpass 30 minutes and most are nearly fully clipped on the official DC YouTube channel. The amount of fan made motion comics is astounding. The amount of fanmade animations is equally as incredible.

[scealaiscoite]

⋆˚࿔ “i can’t…” prompts 𝜗𝜚˚⋆

¹⁾ “i can’t believe you lied to me.”

²⁾ “i can’t do this anymore.”

³⁾ “i can’t talk about it. i want to, please believe me, but i’m just not ready.”

⁴⁾ “i can’t sleep. mind if i join you?”

⁵⁾ “i can’t stay with [name] when i still have these feelings for you.”

⁶⁾ “i can’t wrap my mind around why it happened.”

⁷⁾ “i can’t be the only one who sees how she looks at you.”

⁸⁾ “i can’t keep putting you in danger! being with me isn’t worth your life- you must realise that!”

⁹⁾ “i can’t find it in myself to care anymore.”

¹⁰⁾ “i can’t watch.”

¹¹⁾ “i can’t stand by and look on while you keep putting yourself through this.”

¹²⁾ “i can’t keep this from them and you knew that when you told me!”

¹³⁾ “i can’t stop seeing it. every time i close my eyes it’s like i’m right back there, reliving it over and over with no way to change the outcome.”

¹⁴⁾ “i can’t believe you remembered.”

¹⁵⁾ “i can’t face them on my own- please come with me.”

¹⁶⁾ “i can’t be with you like that. not anymore.”

¹⁷⁾ “i can’t tell you how much i appreciate this.”

¹⁸⁾ “i can’t break the lock! how are we going to get out of here?!”

¹⁹⁾ “i can’t stand him. please bail me out of this, i’ll owe you forever.”

²⁰⁾ “i can’t shake the feeling that something bad’s about to happen.”

²¹⁾ “i can’t keep lying to everyone… it’s killing me.”

²²⁾ “i can’t possibly ever tell you just how much i adore you, but i’ll damn well spend the rest of our lives trying to.”

²³⁾ “i can’t bear that prick.”

²⁴⁾ “i can’t believe you drinking straight bourbon in a paddling pool isn’t the weirdest thing i’ve seen this morning.”

²⁵⁾ “i can’t get to you, and neither can the team. you’re- you’re gonna have to make it out of there on your own, kid.”

²⁶⁾ “i can’t get passed over for this promotion again, not after working myself like a goddamn dog to see it happen.”

²⁷⁾ “i can’t be expected to feign interest in a conversation whilst you look as good as this, now can i?”

²⁸⁾ “i can’t walk in there dressed like this- in your clothes!”

²⁹⁾ “i can’t shake the feeling that something bad’s about to happen.”

³⁰⁾ “i can’t believe a bullet wound still isn’t enough to get you to lay off those stupid pickup lines.”

[lord-fallen]

CHARACTER RELATIONSHIPS NOTION: “RELATIONS”

a highly customizable, simplistic but detailed notion template for writing and creating characters' relationships & dynamics based on curated writer advice. perfect for exploring a character's growth through others while keeping their information aesthetically-pleasing to look at. use this both as a template and a guide to develop your characters' dynamics while working on your wips! made to guarantee higher muse and motivation to finish works-in-progress.  to download / copy, click “duplicate” top-right to copy it to your notion. 

features:

overview of all characters for a wip (including their personality and physical traits)

dynamically synced relations tracker

duplicatable section for start, middle, and end of a character dynamic

tag systems and pre-filled options

please like / reblog if you’re using or interested in using it!

[poorly-drawn-mdzs]

Gaslight, Gatekeep, Girl found dead in a hidden room.

[First] Prev <–-> Next

[archaeren]

Hello!! I hope you're having a good day ^^ I came across your post about writing non-linearly on Notion and I'm excited to try it out because the advice resonated with me! Though, I'm really new to using the app and, if possible, need help with how to do this part: 'where every scene is a separate table entry and the scene is written in the page inside that entry.' ;v;

Hello! Thank you so much for messaging!!! Since that post about writing non-linearly (linked for context) blew up roughly ten thousand times as much as anything I've ever posted, I've been kind of meaning to make a followup post explaining more about how I use Notion for writing non-linearly, but, you know, ADHD, so I haven't done it yet. XD In the meantime, I'll post a couple screenshots of my current long fic with some explanations! I'd make this post shorter, but I'm unable to not be Chatty. XD (just ask my poor readers how long my author notes are...) (There is a phone app as well which syncs with the desktop/browser versions, but I work predominantly in the desktop app so that's what I'm gonna be showing)

(the table keeps going off the right side of the image but it's a bunch of unimportant stuff tbh) So this is more complicated than what you'll probably start with because I'm Normal and add a bunch of details that you might not need depending on what you're doing. For example, my fic switches POVs so I have a column for tracking that, and my fic follows a canon timeline so I have a column for dates so I can keep track of them, and I also made columns for things like if a scene had spoilers or certain content readers may want to avoid, which they can access in my spoiler and content guide for the fic. (As I said, I'm Normal.) I also do some complicated stuff using Status and estimated wordcount stuff to get an idea of how long I predict the content to be, but again, not necessary. Anyway, you don't need any of that. For the purposes of this explanation, we're just gonna look at the columns I have called Name, Order, and Status. (And one called Part, but we'll get into that later) Columns in Notion have different types, such as Text, Numbers, Select, Date, etc, so make sure to use the type that works best for the purpose of each column! For example, here I'm using Select for Character POVs, Number for Order and WC (wordcount), and Text for the In-Game Date. Okay let's get into it! Name is a column that comes in a Notion table by default, and you can't get rid of it (which drives me up the wall for some purposes but works totally fine for what we're doing here). As you can see on the scene I've labeled 'roll call', if you hover over a Name entry, a little button called 'Open' appears, which you click on to open the document that's inside the table. That's all default, you don't have to set anything up for it. Here's a screenshot of what it looks like when I click the one titled 'I will be anything for you' (I've scrolled down in the screenshot so you can see the text, but all the data fields also appear at the top of the page)

(This view is called 'side peek' meaning the document opens on one side and you can still see the table under it on the left, which is what mine defaults to. But you can set it to 'center peek' or 'full page' as well.) All my scenes have their own entry like this! Note that I've said scenes, not chapters. I decide the chapters later by combining the scenes in whatever combination feels right, which means I can often decide in advance where my chapter endings will be. This helps me consciously give most of my endings more impact than I was usually able to do when I tried to write linearly. So hopefully that gives you an idea of what I mean by writing inside the table and treating the table as a living outline. The 'Status' column is also pretty straightforward, and might require a little setup for whatever your needs are. This is another default column type Notion has which is similar to a Select but has a few more specialized features. This is how mine is set up:

(I don't actually use 'Done', idk why I left it there. Probably I should replace it with 'Posted' and use that instead of the checkmark on the far left? whatever, don't let anyone tell you I'm organized. XDD)

Pretty straightforward, it just lets me see easily what's complete and what still needs work. (You'll notice there's no status for editing, because like I mentioned in my other post, I don't ever sit down to consciously edit, I just let it happen as I reread) Obviously tailor this to your own needs! The Order column is sneakily important, because this is what makes it easy for me to keep the scenes organized. I set the Sort on the table to use the Order to keep the scene ordered chronologically. When I make the initial list of scenes I know the fic will have, I give all of them a whole number to put them in order of events. Then as I write and come up with new scene ideas, the new scenes get a number with a decimal point to put them in the spot they fit in the timeline. (you can't see it here, but some of them have a decimal three or four digits deep, lol). Technically you can drag them to the correct spot manually, but if you ever create another View in your table (you can see I have eight Views in this one, they're right under the title) it won't keep your sorting in the new View and you'll hate yourself when it jumbles all your scenes. XD (And if you get more comfortable with Notion, you probably will at some point desire to make more Views) The Part column isn't necessary, but I found that as the fic grew longer, I was naturally separating the scenes into different points along the timeline by changes in status quo, etc. (ex. "this is before they go overseas" "this is after they speak for the first time", stuff like that) in my mind. To make it easier to decide where to place new scenes in the timeline, I formalized this into Parts, which initially I named with short summaries of the current status quo, and later changed to actual titles because I decided it would be cool to actually use them in the fic itself. Since it's not in the screenshots above, here's what the dropdown for it looks like:

(I've blocked some of the titles out for spoiler reasons)

Basically I only mention the Parts thing because I found it was a useful organizational tool for me and I was naturally doing it in my head anyway. Anyway, I could keep talking about this for a really long time because I love Notion (don't get me started on how I use toggle blocks for hiding content I've edited out without deleting it) but that should be enough to get started and I should really, you know, not make this another insanely long post. XDD And if anybody is curious about how the final results look, the fic can be found here.

[serpentface]

Here's what typical vestment for The Odomache looks like.

The pelt of the lion that was originally sacrificed and worn raw for her incarnation is retained throughout the years of service, preserved and fashioned into a headdress and cape (obscuring a helmet). This can get dreadfully hot in the summer but no one ever said that being a hollowed out pathway for God's spirit was easy.

The body is always obscured near completely, barring the hands, feet, and parts of the face (philosophically, these are the body's least vulnerable parts as its modes of Action, though this is in large part a practicality). This is partially a matter of psychological enforcement that this person is not Just a human, and partly a matter of protecting the part of God's living spirit that's in a wholly human body. Conceptually, the Odomache Enables tremendous power rather than being intrinsically powerful in of herself, so all manners of protecting the metaphysically vulnerable human body are of tantamount importance in her case.

The complete obscuring of any identifiable feminine form is also notably important to the underlying philosophies and biases involved. It is necessary that she is female, a condition ascribed a unique malleability to change and transformation (for good or harm), but the act of female/non-male sex and gender assignment also serves to uphold an underclass in a patriarchy that she By Necessity must be distanced from. This extends beyond the masculinized social and dress performance of Odonii to a masculinized social performance with dress that utterly obscures any part of the body that could be gendered, and dress that is not gendered in of itself (women do wear less revealing clothing than men and skirts of similar length, but the act of Fully covering the body in this form exists outside of the bounds of gendered dress).

[[It should be noted that on a historical level, this role is largely a descendant of a variety of 'celibate and/or masculinized female religious authority' figures in pre/proto-Wardi societies stretching back centuries, rather than an emergent property of contemporary religion and philosophy. This is an adaptation of older roles and worldviews to securely fit the contemporary zeitgeist, and that's part of why many aspects of this role Superficially clashes with said zeitgeist.]]

The relatively undecorated white cloak and robes in comparison to culturally favored displays of color and opulence further emphasizes a sense of the Odomache's separation from humanity. The Wardi image of God is not a human lord, but rather the world itself and the functions of the world distilled into the forms of animals. Human hierarchies exist Within God rather than God having a place within human hierarchies, so in this philosophy it's natural for this particular person of high authority to not closely resemble a Human Authority.

This is still ultimately a human body existing at the top end of a human hierarchy (and in the dimension of religious thought, it a human body holding aspects of God most specifically concerned with maintaining concepts of 'right' civilization and hierarchy), so public-facing garb like this will still include a few mundane trappings of lordship such as this fancy gold khattanocuy displaying an image of an enemy being trampled by the Face Odomache as the guardian lion. Purely ceremonial garb for the Odomache hides the body in its entirety beneath the white cloak and forgoes all decoration save for the obligatory weaponry.

A sword and dagger is worn at all times as a matter of being the ultimate physical bastion of her society's military might, and she is always accompanied by a retinue of 'lieutenants' (Extremely elite servants/squires) who carry whatever other elements of her perpetual armament are not currently in use. These weapons are Completely ceremonial in nature (to the point that they're made or plated with gold rather than anything like, durable) and there is absolutely zero expectation that the Odomache will ever directly engage in combat (the times this has happened historically have been when things have gone horribly wrong).

Her face is usually masked in public, though this is not a strict necessity of the role and is forgone for some ceremonial purposes. On these occasion, it's standard to paint the face red to still partly obscure human features in the same fashion of battlefield Odonii. As the color of blood, it positively evokes bodily vitality and strength, the living spirit of the world itself and the mode of connection to God (and will also be reminiscent of the rite of incarnation during which she is Actually covered in blood)

[somegurl8]

“People are writing this” “People are writing that” Actually let’s talk about what people AREN’T writing because we’re like 6 episodes into Judgement and I haven’t found a single fic for it on AO3. It’s been around since mid October and not a single fic. Why is there no love for Judgement

[just-a-local-dreamer]

link link link (to the etsy listing)

[aouiaa]

MINORS AND MEN GET THE FUCK OUT OF HERE!!! CANNOT STOP THINKING ABOUT SUB!ELLIE

In the reverse cowgirl position with her hands on your knees to prop herself up as she wildly bouncing on your strap, causing the harness to rub against your clit deliciously. The pleasure shooting throughout your body makes you want more of it. You place the palm of your hand on her back to further heighten her movements, pushing her deeper on your strap, making nub of the faux cock kiss her g-spot perfectly. A moan that can be only described as a “Ooo” leaves her plumped lips. She looks back at you with the most awe-struck look. You relinquish in the way her eyebrows are scrunched together in pleasure, her mouth left agape.

AHHHHHHHH SAVE ME SUB!ELLIE SAVE MEEEEEEE

[thousand-winters]

My unpopular opinion is someone should have slapped Alastair for the "you keep me human" line. Shut the fuck up, Alastair, you're already human and wonderful, a white man of all people (kind as he might be) is not going to come and give you your worth. Let's get you some sense of self-worth.

[shouyuus]

sometimes i forget that not everyone is a freak like me and obsessively close tabs, clear notifs, and make sure that there are zero icons on my desktop bc i dont like the look of it u__u

[necrotic-nephilim]

au - tim sneaking out of jason's room one night at the manor and accidentally locking eyes with dick who is sneaking out of bruce's room at the exact same time, breakfast is very awkward the next morning

(i did think of having it be jason instead of tim but honestly jason has 0 shame and even less issue outing himself if it means fucking with bruce and, to a lesser extent, dick)

i'm cackling I love these types of things so much. they're so silly. sometimes we deserve mindless crack for these ships. have a *very* low effort ficlet bc this just makes me snort, enjoy <3

Dick closed Bruce's door as quietly as he could. Usually, he didn't have to sneak around when he slept with Bruce. But the temporary room Bruce had given Jason in the manor was just down the hall, and Dick didn't feel like looking Jason in the eye if he walked out of Bruce's bedroom in the morning at the wrong time.

Just because he was pretty sure Jason knew, didn't mean he needed confirmation and confrontation.

Dick had almost caved to staying in bed with Bruce when Bruce tried to pull him back down, but he kept some level of wits about him, prying Bruce's arm off of him and giving him a final kiss on the cheek before heading for the door.

The one thing Dick did allow himself, though, was wearing one of Bruce's shirts instead of his own. It was a size too large on him but smelled safe and comforting. Dick breathed a quiet sigh of relief when the door latched silently. He let go of the handle, turning around to creep off to his own bedroom in another wing.

And found himself staring at another figure.

With all of the lights off and only faint moonlight streaming through the windows, Dick couldn't tell who it was, at first. His reaction was embarrassing no matter who it was, jumping nearly a foot backward and clutching a hand over his chest.

He was a goddamn vigilante. This was just embarrassing.

The other person wasn't nearly as shocked as Dick, but they stood perfectly still, staring with wide eyes that faintly reflected what little light illuminated their face. Dick squinted, leaning forward to see who it was.

"Tim?" Dick hissed, trying to keep his voice to a whisper. Bruce had fallen asleep and if Dick woke him up now, he was never going to get the stubborn bastard back to bed.

Tim, still looking like a deer in headlights, just blinked at Dick.

"What are you doing up this late?" Dick asked. They'd all agreed to take tonight's patrol off, letting Babs, Helena, Dinah, and Zinda handle it in exchange for tackling the massive human trafficking ring in the morning with fresh eyes and cleared heads. The job was the only thing that had gotten Jason to agree to work with them in the first place. Bruce barely managed to strong-arm Jason into sleeping in the manor, with a decent amount of guilting from Alfred.

Jason, who was in the room only a few feet away from Dick. The room that Tim's hand was resting on the doorknob of.

"That's Jason's room," Dick said slowly.

Tim just nodded. "I know." He wasn't whispering like Dick was, but his tone remained impossible to read.

He just saw Dick walk out of Bruce's room. Had he put it together? It was Tim, after all. if he hadn't yet, Dick assumed he only had a couple minutes before it dawned on Tim.

"What were you doing in Jason's room?" Dick frowned. If he focused on Tim, it could keep the focus off of him for as long as possible. Dick tried to ignore how fast his heart was beating.

Tim's expression was hard to make out in the dark. "We were talking about the case." Still, his tone remained entirely neutral.

Too neutral, for Tim.

"At two am?"

"Well, what were you doing?" Tim huffed slightly when he said it, folding his arms over his chest.

He was shirtless, Dick just realized.

Shirtless and coming out of Jason's room.

"I was-" Dick stumbled over his words, choking as he tried to come up with an alibi. "We were talking about the-"

"I already used that excuse, pick your own," Tim deadpanned. Dick was pretty sure he also rolled his eyes. "I've known about you and Bruce for years, you know. You don't have to pretend."

The noise that came out of Dick's throat was almost as mortifying as the realization that not only did Jason likely know, but so did Tim.

"It... okay it has not been years," Dick's face was hot and he was glad it was too dark for Tim to see his blush. "I mean- it's been a while but not years-"

"Whatever you say." Tim shrugged, sounding unconvinced. "There have been feelings between you two for years, close enough for me."

If Dick died, right here, in this hallway in front of Bruce's door, he hoped the cause of death would be put down as homicide instead of natural causes. Because every word from Tim's mouth made another piece of Dick die inside, just a little.

"It's none of your business either way." Dick tried to stand up straight to sound more in control of the situation, clearing his throat.

"Trust me, I don't want it to be my business."

Dick would've laughed, if this was happening to anyone but him.

"What about... you and Jason?" Dick asked carefully.

Tim shifted on his feet. "What about it? I told you, we were talking about the case."

"Right." It was Dick's turn to roll his eyes. "In his bedroom, at two am, without your shirt?"

Tim stared at Dick for a long, torturous moment. A moment that made Dick agree with Tim, about not wanting to know any sordid details.

"I'm going to bed," Tim said suddenly, turning away from Dick. "Goodnight."

Dick had a thousand more questions he wanted to ask. How Tim and Jason even got together, when it happened. Last Dick knew, they could barely stand to be in the same room.

But Tim was walking away at an alarmingly brisk pace and Dick just sighed. He was too tired and mortified about his own secrets to chase Tim down for an impromptu interrogation that would just end up embarrassing them both more.

Maybe it was best for Dick's sanity if he didn't know the specifics.

Dick didn't consider how awkward it would be until he was standing in the kitchen, staring at Jason bent over a cup of coffee.

Did Jason know Dick knew? It didn't seem like he did, but he had always had a good poker face.

When Tim ambled into the kitchen and grabbed overnight oats from the fridge, he didn't even look at Dick. He seemed to be pointedly avoiding it, sitting as far away from Dick as he could at the oversized dining room table.

All while Dick couldn't seem to stop staring.

"Your cereal is going to get soggy," Jason muttered, and it took Dick a moment to realize Jason was talking to him. "At least eat it before trying to explode my head with your mind, or whatever your staring problem is."

"I'm not-" Dick stuttered. he shut himself up with a mouthful of cereal when Cass gave him an odd look.

Would she be able to figure it out just from his body language?

Dick had never fully understood the lengths her ability to read people could go. he looked away from her and stared at a random spot on the table, trying to eat at a normal pace.

Bruce was the last to wander into the kitchen. He squeezed Dick's shoulder as he walked by, making Dick jump. It was an innocent enough touch that no one would question, but all Dick could think about was the brief look from Tim before he quickly averted his eyes again.

The silence around the table was going to eat Dick alive. He started eating cereal faster.

"Oh for fuck's sake," Jason broke the tension, throwing his head back and slamming an empty mug down onto the table. "Everyone knows you two are fucking, alright?" He gestured between Dick and Bruce. "Stop being so goddamn weird about it, you're acting like there's a bomb in the room."

Bruce choked on his coffee. "Jason." He tried to sound reprimanding, but his voice was a few octaves too high.

Dick threw his hands in the air. "I knew you knew about that, but I didn't know about you and Tim until last night so excuse me for feeling a little awkward."

"You didn't know about what?" Bruce nearly yelled, spinning around to face Jason.

"Damnit, Dick!" Tim groaned, putting his head in his hands.

Jason just scoffed, pointing a fork at Bruce. "Oh don't even give me that self-righteous bullshit-"

Their argument went back and forth while Tim just rubbed his temples, muttering to himself and glaring at Dick.

Worst of all, Dick was pretty sure Cass was giggling next to him under her covered mouth.

Dick just sighed and ducked his head, dutifully waiting for the ground to open up and swallow him whole.

So much for his breakfast.